‘Clayface’ Review: DC Gets Under the Skin, But Only So Deep
‘Clayface’ is a solid beginning for what could be a new era for DC villain movies
'In The Shadows' Review: Jasmine Jobson Delivers a Powerful Performance in an Emotionally Impactful Boxing Drama
'In The Shadows' is a captivating true story
Tom Cruise Goes Completely Off the Rails in Alejandro G. Iñárritu’s Wildly Ambitious 'Digger'
Tom Cruise needs to be in the Oscar conversation
‘Agridulce’ Review: Bachata Becomes a Language for Growing Up in Frank Pavich’s Warm, Searching Documentary
Frank Pavich gives us a special look into music within culture
‘The Last Photograph’ Review: Zack Snyder’s Most disturbing Film Is a Compelling Portrait of Grief, Tragedy, and Loss
Zack Snyder returns with a deep look at grief
‘The Face of Horror’ Review: Anna Biller Returns With a Beautifully Twisted Gothic Nightmare
This is one for horror fanatics everywhere
‘I Play Rocky’ Review: Anthony Ippolito Goes the Distance in Crowd-Pleasing Stallone Biopic
‘I Play Rocky’ put Anthony Ippolito in serious awards contention
‘Primetime’ Review: Robert Pattinson Is Mesmerising in a Dark, Disturbing Portrait of American Spectacle
‘Primetime’ could land Robert Pattinson an Oscar nom
‘Splash City’ Review: A Familiar Crime Story Given Life by the Bay Area
‘Splash City’ works, but doesn’t quite reinvent
‘Lanterns’ Review: Strong Leads Can't Quite Make HBO's Green Lantern Drama Soar
‘Lanterns’ is DC Studios latest entry, and it’s pretty cool
‘Bleeder’ Review: Pain Becomes a Profession in Jeremy Max’s Bruising Study of Grief
From HollyShorts, ‘Bleeder’ emerges as one of the festival’s best
‘Spider-Man: Brand New Day’ Review: Tom Holland Finds Heart in Heroics
The best in Tom Holland’s Spidey run
‘Supergirl’ Review: Milly Alcock Brings Spark, But DC’s Punk-Rock Heroine Gets Lost in the Wasteland
A first misfire for James Gunn’s DC Universe
‘In the Grey’ Review: Guy Ritchie’s Slick, Shallow, and Strangely Irresistible Pulp Machine is a Blast
Cavill and Gyllenhaal absolutely deliver
‘Obsession’ Review: Curry Barker Masterfully Turns Male Fantasy into a Tragic Modern Possession Story
Curry Barker hits a master-stroke debut feature
Antoine Fuqua’s ‘Michael’ is a Shiny, Shallow Portrait of a Complicated Star
‘Michael’ may not be exactly the film you were looking for, but it sure is a blast
Lee Cronin’s ‘The Mummy’ is a Dread-Inducing Horror That Doesn’t Quite Hold Together
Our review of ‘The Mummy’ is here
'Visceral Images' Review: Anxiety and the Terror of Losing Control
'Visceral Images' is a thought-provoking addition to the Manchester Film Festival